Published Work

 

2013

Tasmanian Life, Winter 2013, article on Marcus Tatton
(read more here) 

 

Tasmanian Life, Spring 2013, article on Dennis Witt
(read more here)

 

Australian Art review, issue 38 article on Ten Days on the Island
(read more here) 

 

Australian Art Review, issue 37, 2013 article on TMAG
(read more here) 

 

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2012

Honeywill, G. IN-Grained: Works in wood (exposed and disguised) 2003-2012,
Australian Art Review, issue 36, pp. 50-53 (Read article here)

Honeywill, G. Still Life Pudding: an interview with Margaret Olley (1923–2011),
Island Magazine, issue 127, pp. 56–63 (Read article here)

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2011

Honeywill, G. Home as Museum – The New Temples of Art, Island Magazine (Read article here)

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2009  

Honeywill, G. Architecture of the Heart #3, Prometheus Foundation, Visual Arts Awards invitation

Honeywill, G. ‘Exquisite Enticement’, Sculpture Coast, Ian Macrae Publisher, 2009, p.14

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2006

Honeywill, G. ‘Shared Narratives: Remembering and Forgetting in
Academic Research’, in Art-Based research:  a proper thesis?
edited by Elaine Martin and Judith Booth, Common Ground, p. 97-110

 

Honeywill, G. ‘Patterns of Desire’, Lino, issue 14, pp. 98-101 (Read article here)

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2005

Honeywill, G. ‘Scarring the Land’, catalogue essay Ground Cover, Bendigo Art Gallery (Read essay here)

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2001

 

Honeywill, G. ‘Table Eight on the Floor, the work of Flossie Peitsch’,
commissioned essay, Setting the American Table, Copia –
The American Center for Wine Food and the Arts
, California,
USA, pp. 78-83 (Read essay here)

 

Honeywill, G. ‘Stories from the Kitchen: Heavenly Tart,’ Commissioned essay,
Copia, Vol. 04, Issue 01, California, USA, pp. 18-21 (Read essay here)

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1997


Honeywill, G. ‘Combing the world,’ Commissioned essay,
The View Australia, Issue 06, 1997 Australia,  pp. 32-35 (Read essay here)

Honeywill, G. ‘Contempora 5 new prize, new art!,’ Commissioned essay,
The View Australia, Issue 07, 1997,  Australia,  pp. 15-18 (Read essay here)

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