Published Work

2012

Honeywill, G. IN-Grained: Works in wood (exposed and disguised) 2003-2012,
Australian Art Review, issue 36, pp. 50-53 (Read article here)

Honeywill, G. Still Life Pudding: an interview with Margaret Olley (1923–2011),
Island Magazine, issue 127, pp. 56–63 (Read article here)

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2011

Honeywill, G. Home as Museum – The New Temples of Art, Island Magazine (Read article here)

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2009  

Honeywill, G. Architecture of the Heart #3, Prometheus Foundation, Visual Arts Awards invitation

Honeywill, G. ‘Exquisite Enticement’, Sculpture Coast, Ian Macrae Publisher, 2009, p.14

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2006

Honeywill, G. ‘Shared Narratives: Remembering and Forgetting in
Academic Research’, in Art-Based research:  a proper thesis?
edited by Elaine Martin and Judith Booth, Common Ground, p. 97-110

 

Honeywill, G. ‘Patterns of Desire’, Lino, issue 14, pp. 98-101 (Read article here)

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2005

Honeywill, G. ‘Scarring the Land’, catalogue essay Ground Cover, Bendigo Art Gallery (Read essay here)

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2001

 

Honeywill, G. ‘Table Eight on the Floor, the work of Flossie Peitsch’,
commissioned essay, Setting the American Table, Copia –
The American Center for Wine Food and the Arts
, California,
USA, pp. 78-83 (Read essay here)

 

Honeywill, G. ‘Stories from the Kitchen: Heavenly Tart,’ Commissioned essay,
Copia, Vol. 04, Issue 01, California, USA, pp. 18-21 (Read essay here)

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1997


Honeywill, G. ‘Combing the world,’ Commissioned essay,
The View Australia, Issue 06, 1997 Australia,  pp. 32-35 (Read essay here)

Honeywill, G. ‘Contempora 5 new prize, new art!,’ Commissioned essay,
The View Australia, Issue 07, 1997,  Australia,  pp. 15-18 (Read essay here)

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