2012
Honeywill, G. IN-Grained: Works in wood (exposed and disguised) 2003-2012,
Australian Art Review, issue 36, pp. 50-53 (Read article here)
Honeywill, G. Still Life Pudding: an interview with Margaret Olley (1923–2011),
Island Magazine, issue 127, pp. 56–63 (Read article here)
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2011
Honeywill, G. Home as Museum – The New Temples of Art, Island Magazine (Read article here)
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2009
Honeywill, G. Architecture of the Heart #3, Prometheus Foundation, Visual Arts Awards invitation
Honeywill, G. ‘Exquisite Enticement’, Sculpture Coast, Ian Macrae Publisher, 2009, p.14
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2006
Honeywill, G. ‘Shared Narratives: Remembering and Forgetting in
Academic Research’, in Art-Based research: a proper thesis?
edited by Elaine Martin and Judith Booth, Common Ground, p. 97-110
Honeywill, G. ‘Patterns of Desire’, Lino, issue 14, pp. 98-101 (Read article here)
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2005
Honeywill, G. ‘Scarring the Land’, catalogue essay Ground Cover, Bendigo Art Gallery (Read essay here)
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2001
Honeywill, G. ‘Table Eight on the Floor, the work of Flossie Peitsch’,
commissioned essay, Setting the American Table, Copia –
The American Center for Wine Food and the Arts, California,
USA, pp. 78-83 (Read essay here)
Honeywill, G. ‘Stories from the Kitchen: Heavenly Tart,’ Commissioned essay,
Copia, Vol. 04, Issue 01, California, USA, pp. 18-21 (Read essay here)
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1997
Honeywill, G. ‘Combing the world,’ Commissioned essay,
The View Australia, Issue 06, 1997 Australia, pp. 32-35 (Read essay here)
Honeywill, G. ‘Contempora 5 new prize, new art!,’ Commissioned essay,
The View Australia, Issue 07, 1997, Australia, pp. 15-18 (Read essay here)