CV

Greer Honeywill

Born: South Australia, currently lives and works in Naarm, Melbourne.       
Based in Hobart, Nipaluna, Tasmania, 2010-2016 before returning to Melbourne.

 

Education

2015                PhD, Art, The Ever Present Eye, Tasmanian College of the Arts  

2003                PhD, Fine Art, Monash University. Awarded Mollie Holman Doctoral Medal

1998-1999      Part-time MFA (Art) Monash University (upgraded to PhD)

1999                 Fred Cress Master Class, Central School of Art, Adelaide (research project)

1997                  New York Studio School Drawing Marathon, Central School of Art, Adelaide 

1975                  Certificate in Elementary Film Studies, Australian Film and Television School

1967                  Post Graduate studies in Drama, Adelaide Teachers College (now UniSA) 

1964                  Dip. T. Art, S.A. School of Art and Western Teachers College (now UniSA)

 

Current Curatorial and Writing Project, Lost in Palm Springs, 2017-2026

2026

Lost in Palm Springs Ipswich Art Gallery, Qld 13 February-19 April and Bundaberg Regional Art

Gallery, QLD 1 May-July

2025

Lost in Palm Springs Devonport Regional Gallery, Tas 10 February-20 March, Riddoch Arts &

Cultural Centre, SA 4 April-29 June, New England Regional Art Museum, NSW 10 July-28

September, and Noosa Regional Gallery, QLD 18 October-7 December

2024

Lost in Palm Springs Griffith Regional Gallery, 8 March-21 April, Art Gallery of Ballarat 4 May-1

September, Signal Point Gallery, SA 24 September-1 December

2023-2024

Lost in Palm Springs Manly Art Gallery & Museum, 8 December 2023-25 February 2024, part of

Sydney Festival 2024

2023

Lost in Palm Springs Perc Tucker Regional Gallery Townsville, 18 August-24 September.

2023

Lost in Palm Springs launched at HOTA (Home of the Arts) Gold Coast, 11 March. Curator,

Dr Greer Honeywill. A national touring exhibition, developed by HOTA in partnership

with Museums & Galleries Queensland

2023

Lost in Palm Springs, the book, published 2023, by Melbourne Books, author, Dr Greer

Honeywill. Book launched at HOTA, 11 March.

2022

Proposal for Lost in Palm Springs, the book, accepted for publication by Melbourne Books

2020

Proposal for Lost in Palm Springs, a five-state touring exhibition, accepted by Museums &

Galleries Queensland.         

2017-2019

Three annual, self-funded research/residencies in Palm Springs, California, to support the

creation of the touring exhibition and book, Lost in Palm Springs, a multidisciplinary

project bringing together artists from America and Australia who explore the intersections

between art, architecture, design and life

 

Recent Professional Experience                        

2024

The Art Deco and Modernism Society of Australia, Lost in Palm Springs presentation, 11 July

2024

Sorrento Writers Festival, ‘How mid-century architecture changed domestic life’, a panel

discussion with Fiona Austin, Patricia Callan, and Greer Honeywill, moderated by Fiona Gruber

2023-2026

The Curator’s Perspective presented at each gallery on the Lost in Palm Springs exhibition tour

2023

Lost in Palm Springs book events:

Bookstore by Uro, author in conversation with Stuart Harrison, architect, lecturer, and

broadcaster, May 27. Part of Melbourne Book Fair 2023

Fullers Bookstore, Hobart, author in conversation with architect Peta Heffernan, Director

Liminal Studios, April 27

‘Design Matters’, Boyd House, Walsh Street, author in conversation with architect and TV

presenter (Dr) Peter Maddison, March 22

Readings, author in conversation with Associate Dean and Chair of Architecture and Design,

Melbourne University and Director of LAB Architecture Studio, Professor Donald Bates, March 15

 

Awards, Prizes and Residencies

2017-2019

Three annual self-funded research residencies in Palm Springs, C.A.

2011

Awarded Tasmanian Graduate Research Scholarship

2011

Awarded Arts Tasmania Grant, Assistance to Individuals

2011

Awarded survey exhibition, Carnegie Gallery, Hobart

2009

Commended Artist, Sunshine Coast Art Prize

2008

Inaugural artist in residence, Carr Design Group, Melbourne

2008

Winner Mitchell Family Award, Montalto Sculpture Prize

2006

Awarded Arts Victoria Grant, Arts Development

2005

Invited artist, Post Office Installations Series, Castlemaine State Festival

2003

Winner, World Sculpture News Prize

2003

Winner, Yering Station Sculpture Prize

2002

Awarded Doctoral Completion Scholarship, Monash University

2002

Winner, Coates and Wood Foundry Prize

2000

Winner, Allport Writing Award, Textile Fibre Forum

 

Solo Exhibitions

2015

The Ever Present Eye, Plimsoll Gallery, Tasmanian College of the Arts

2012

IN-Grained, Carnegie Gallery, Hobart, curated by Peta Heffernan

2012

Veiled, The Gallery @ Bayside Arts & Cultural Centre, Brighton Victoria

2010

Secrets and Lies, Flinders Lane Gallery, Melbourne

2009

Off the plan, Flinders Lane Gallery, Melbourne

2007

Against the Grain: works in wood 2000-2007, Craft Victoria, curator Kate Rhodes

2006

she had many offers of marriage #2, School of Art Gallery, RMIT, curator, Dr Louiseann King

2006

Patterns of Desire, Span Galleries, Melbourne

2005

she had many offers of marriage #1, The Castlemaine State Festival, Post Office Installation series

2003

Colours of the Kitchen Cabinet, Faculty Gallery, Monash University

2002

Heavenly Tart, Spare Room, RMIT, curator, Louiseann Zahra

2000

Urban Songs, Lobby Gallery, Sofitel Hotel, Melbourne

 

Selected Group and Collaborative Exhibitions

2024

ARTitecture, Justin Art House Museum, works from the collection

2015

Model Urban, Manningham Art Gallery, curator Davey Warnock

2014

WOOD art design architecture, travelling exhibition, curators Brian Parkes and Elliat Rich

Lake Macquarie City Art Gallery, QUT Art Museum, KickArts Cairns, Object Gallery, Sydney

2013

Construction, Incinerator Gallery, Melbourne, curator Richard Ennis

2013

Investigations, Plimsoll Gallery, Tasmanian College of the Arts, curators Annie Geard and Julien

Scheffer

2013

WOOD art design architecture, travelling exhibition, curators Brian Parkes and Elliat Rich

Jam Factory/Botanic Gardens of Adelaide, Riddoch Regional Gallery (Mt Gambier), Design Centre Tasmania,

Launceston, and Bathurst Regional Gallery

2012

The Research Life of Arts Objects, Entrepot Gallery, Tasmanian College of the Arts, Hobart, curator Paul Zika

2011

Finalist, Geelong Acquisitive Print Award

2011

Finalist, City of Hobart Art Prize

2010-2011

Finalist, Tidal: City of Devonport Art Award

2010

Finalist Sunshine Coast Art Prize

2010

Playing Field, Craft Cubed Festival, Craft Victoria, curator, Joe Pascoe

2010

Vision, Glen Eira City Council Gallery, curator Diane Soumilas

2010

The View From Here, Flinders Lane Gallery, Melbourne

2009

Finalist Lorne Sculpture Exhibition

2009

Finalist Hutchins Art Prize, Tasmania

2009

Finalist, inaugural Deacon University Small Sculpture Award

2009

Finalist Geelong Acquisitive Print Awards

2009

Finalist Yering Station Sculpture Prize

2009

<the space in between> book project, Wagga Wagga Art Gallery, curator Tara Gilbee

2009

20 plus: the sum of us, Flinders Lane Gallery, Melbourne

2009

Finalist DLAP the City of Darebin and La Trobe University Art Prize

2009

Finalist Sunshine Coast Art Prize

2009

Finalist Prometheus Visual Arts Award

2009

Treasures, Flinders Lane Gallery, Melbourne

2008

Here and Now, Flinders Lane Gallery, Melbourne

2008

Surface Tension, Flinders Lane Gallery, Melbourne

2008

<the space in between> book project, Bendigo Art Gallery, Latrobe Regional Gallery, and Umbrella Studio

Contemporary Arts (Townsville), curator, Tara Gilbee

2008

The Green Zone, Academy Gallery, University of Tasmania, curator Malcom Bywaters

2008

The Perfumed Garden, Flinders Lane Gallery, curator Phe Rawnsley

2008

Finalist Montalto Sculpture Prize

2007

Treasures, Flinders Lane Gallery, Melbourne

2007

For Every Bird, [MARS] Melbourne Art Rooms

2007

Don’t call me a Domestic Goddess, [MARS] Melbourne Art Rooms

2007-2008

Artefact, City Museum at Old Treasury, Melbourne, curator Simon Gregg

2007

<the space in between> book project, Margaret Lawrence Gallery, VCA, curator Tara Gilbee

2006

The Velvet of Uncertainty, Greer Honeywill (AUS) Carole Shepheard (NZ), Spare Room, RMIT,

curator Dr Louiseann King

2006 

12 by 12, [MARS] Melbourne Art Rooms

2006

Finalist, New Social Commentary 06, Warrnambool Art Gallery

2006

Finalist, Yering Station Sculpture Prize

2005

Greer Honeywill and Megan Campbell: Ground Cover, Bendigo Art Gallery, curator Leanne Fitzgibbon

2004

Narrative Voices, 45 downstairs, curator Tyra Hutchens

2004

Finalist, John Leslie Art Prize, Gippsland Art Gallery

2003

Greer Honeywill and Megan Campbell: Kitchen Sacraments, Ararat Art Gallery

2003

Finalist, Yering Station Sculpture Prize

2003

Finalist, Fundere Sculpture Prize, Yarra Sculpture Gallery

2002

Finalist, Fundere Sculpture Prize, Yarra Sculpture Gallery

2002

Undercurrent, idSpace contemporary art gallery, Melbourne, curator Asim Memishi

2002

Finalist, Central Goldfields Sculpture Prize and Exhibition, Central Goldfields Art Gallery

2001-2002

Monash University, Survey Show, Arts Victoria, curator Malcom Bywaters

2001

Powder – the controlled space, Faculty Gallery, Monash University, curator Malcom Bywaters

1998

Australian in New York, Gelabert Studios, New York, curator Simmone Jameson

1997

Australian in Paris, Miromesnil Fine Art, Paris, curator Simmone Jameson

1995

The Great Australian Dream, Gallery 101, Melbourne, Greer Honeywill, Lynette Zeeng and Rodney Lowe,

curator Greer Honeywill

 

Collections                       

HOTA (Home of the Arts Gold Coast), Art Gallery Ballarat, Melbourne Convention Centre, JAM (Justin Art House Museum),

National Library of Australia (Canberra), State Library of Queensland, MONA Library, BHP Billiton, UniSA, and private

collections in USA, Canada, New Zealand and Australia.   

 

Professional Experience and Commissioned Works 1963-2019 

2019

Opening speech for the exhibition A Recollection of Symmetry, by Heinz Boeck, Yarra Sculpture Gallery

2019

Invited speaker, Perspectives on Contemporary Sculpture, Museums & Galleries Queensland, UQ Art Museum, Brisbane

2018

Writing Workshop, The Art of Story, Arnold Zable, The Ian Potter Museum of Art, University of Melbourne

2017

Commissioned essay and opening speech for the exhibition arbor temporis momentum by Louiseann King at

Bendigo Art Gallery

2015

Initial visit to Palm Springs, California, to research the potential for a large ongoing project

2015

Speaker, AAANZ conference Image Space Body, QAGOMA, Brisbane, November

2010

Invited contributor to the Love and Movement submission, Woodhead, shortlisted for the 2010 Venice Biennale of Architecture.

2005-2019

Examiner PhD, MFA and Honours candidates Monash University, Victoria University, LaTrobe University, and Federation

University

2004

Presenter, Victoria University Symposium, ‘I, We, They, It: Finding Voice in Creative Research’

The presentation became a peer-reviewed chapter in the book Art-Based Research: A Proper Thesis? (2006)

edited by Elaine Martin and Judith Booth, Common Ground, p. 97-110

2000-present

Full-time studio practice, researcher, writer, curator and occasional speaker

2000

Commissioned by Major Projects, Melbourne, to research and develop a model for an artist-made object gallery for Federation Square

2000

Commissioned by Major Projects, Melbourne, to research and develop a public art project communicating Federation Square

to the public during the building phase

1997

Commissioned by the City of Whitehorse to develop a model for a cluster of community-based festivals

1996-1998

Commissioned by the City of Sydney to design the creative pathway for the New Millennium NYE celebrations  after the event returned

to the City of Sydney

1996-1997

Contempora5 art prize, consultant to the National Gallery of Victoria

1995

The Super Model, short film, creative director/writer, commissioned by Photomation Events

1995

The Jam Factory, short video, creative director, commissioned by Photomation Events

1995                  

Product Pursuit, video game show, creative director/script/executive producer, commissioned by Photomation Events

1995                  

Eastlands 101.1 TTFM Simulblast, creative director/executive producer, commissioned by Photomation Events

1994                  

Winterfire Festival, artistic director, commissioned by Southgate, Melbourne

1994-2000      

Freelance Creative Director (The Event Company, Photomation Events and Caribiner)

1991-1994    

Senior Consultant/Creative Director, Burson-Marsteller, Melbourne office of multinational public relations and communications firm

1990                  

Relocated to Melbourne and established formal studio practice

1986

Creator/Director, Opening and Closing Events, Sixth World Three Day Event Championships: Sydney to Adelaide Horse-to-Horse Relay,

Street Parade, Adelaide, and Elder Park Event, commissioned by Sixth World Three Day Event Championships Organising Committee

as part of the Sesquicentenary celebrations for South Australia

1985                  

Commissioned by the Adelaide Festival Theatre to design uniforms for front of house and box office staff

1985 

Mural for I.T.B.  Berlin, Concepts/Creative Director, commissioned by Tourism Authorities of South Australia and the Northern Territory

1985                  

Exhibition for Badminton, UK, Concepts/Executive Director, commissioned by Tourism South Australia,

1983-1990      

Co-founder and Creative Director of marketing/advertising/graphic design consultancy, Honeywill Reid, Adelaide

1981                   

Creator/Director, ‘The 1855 Event’, the streets of Adelaide and Elder Park, commissioned by the Come Out Youth Festival,

Adelaide (7,000 participants)

1979                  

Director of Photography/Producer, Biennale of Sydney, commissioned by the Australia Council/Art Gallery of NSW, through the

Educational Technology Centre, Adelaide

1979                  

Creator/Director, ‘Soft Sculpture’, Little Theatre, University of Adelaide and the streets of Adelaide, commissioned by the

Come Out Youth Festival (1,070 participants)

1979                  

Concept/Direction, Paint a Tram, Victoria Square, Adelaide, commissioned by the Come Out Youth Festival (24 participants)

1979                  

Creator/Director, ‘Perambulation Games’, Memorial Drive Centre Courts and the streets of Adelaide, commissioned by the

Come Out Youth Festival; televised nationally by the ABC (799 participants)

1979                  

Creator/Director, ‘The Arts Circus’, Elder Park, Adelaide, commissioned by the Come Out Youth Festival (1,000 participants)

1979                 

Founding member Australian Association of Dance in Education (SA)

1978                  

Set and costume design, The Littlest Circus, touring production, commissioned by the Australian Dance Theatre School

1978                  

Project Manager, Cut out and Stick Up, devised by artist, Tony Bishop and commissioned by the Adelaide Festival

1978                  

Director of photography/Producer, Art in the Making, commissioned by the Art Gallery of NSW through the Educational

Technology Centre, Adelaide. Creation of support resource for the travelling exhibition, Art in the Making, 1979-1980.

1977                  

Creator/Director, Come Out 77 Pageant, streets of Adelaide and Memorial Drive Centre Courts, commissioned by the

Come Out Youth Festival, televised nationally by the ABC (2,000 participants)

1977                  

Project Manager/Facilitator, of event directed by visiting international conceptual artist Antoni Miralda (b. 1942, Spain), staged

at Tatachilla, S.A. to coincide with the national community arts conference, Compost. Commissioned by the Adelaide Festival

1976                  

Creator/Director, Super Scrabble, amphitheatre Adelaide Festival Centre, commissioned by the Adelaide Festival (72 participants) 

1976                  

Set and costume design, Jumpers, Tom Stoppard, commissioned by the University of Adelaide Theatre Guild, for the

Adelaide Festival Fringe, Union Hall

1976

Set design and costume coordination, Hamlet on Ice, Michael Boddy and Ron Blair, Playhouse, Adelaide Festival Centre, commissioned

by Adelaide Festival Centre Trust

1976

Set design, Jesters, Michael Cove, Sheridan Theatre, commissioned by Adelaide Theatre Group

1976

Member International Society for Education Through the Arts, I.N.S.E.A. World Congress Planning Committee

1976-1978

Member of the Board, Australian Dance Theatre School

1975                  

Commissioned collaboration with composer Malcolm Fox to bring the finale of the Human Chess Tournament

(part of Come Out Youth Festival) from the outside amphitheatre into the theatre to create Cheque-Mate, a music/theatre

piece supported by The Adelaide New Music Players. This single performance played to a capacity audience at the

Space Theatre, Adelaide Festival Centre

1975                  

Creator/Director, Human Chess Tournament, performance event for 360 players, staged over five days in the amphitheatre,

Adelaide Festival Centre, commissioned by Come Out Youth Festival. The first non-music event to be held in the amphitheatre

1975 – 1977

Member, Outdoor Activities Committee, Adelaide Festival

1975

Director of Photography/Producer, Modern Masters: Manet to Matisse, coverage of the international touring exhibition,

National Gallery of Victoria, commissioned by the Education Department of S.A./Educational Technology Centre

1975                  

Set design, Parrot Pie, touring production, commissioned by New Opera, S.A.

1974                  

Played Countess Geschwitz in Lulu, adapted by Peter Barnes from Wedekind’s Earth Spirit and Pandoras’ Box,University of

Adelaide Theatre Guild, Union Hall

1974                  

Costume coordination and design, The Rivals, Richard Brinsley Sheridan, commissioned by the University of Adelaide

Theatre Guild, Union Hall

1974                  

Set and costume design, Eureka Stockade, Kenneth Cook, commissioned by the University of Adelaide Theatre Guild,

for the Adelaide Festival Fringe, Union Hall

1974-1981      

Member, founding committee, Come Out Youth Festival

1974-1981      

Moved from the classroom to accept the position of Arts Educator with state-wide responsibilities, Education Department of S.A.

Based at the Educational Technology Centre

1974                  

Costume design, The Rivals, Sheridan, commissioned by The Adelaide University Theatre Guild, Union Hall, University of Adelaide

1972-1974      

NWS 9, commissioned presenter/writer, Curiosity Show, a national children’s television program

1972                  

Played Laura in Laura, Vera Caspary and George Sklar, The Group, AMP Theatre, Adelaide

1971                  

Played  Corrie Bratter in Barefoot in the Park, Neil Simon, The Group, AMP Theatre, Adelaide

1971                  

Played Janet Spicer in Wolfe’s Clothing, Kenneth Horne, The Group, AMP Theatre, Adelaide

1970                

Played Nancy Rimmington in Chase Me Comrade, Ray Cooney, The Group, AMP Theatre,  Adelaide

1969                  

Played Cecily Pigeon in The Odd Couple, Neil Simon, The Group, AMP Theatre, Adelaide.

1968-1973      

Head of Departments of Art and Drama, secondary high schools, Education Department of S.A.

1968                

Played June Copley in Life with the Girls, John Woolridge, The Group, AMP Theatre, Adelaide

1967                  

Played Lucy Gilham in Ladies in Retirement, Edward Percy and Reginald Denham, new theatre company,

The Group, AMP Theatre, Adelaide

1967                  

Member of the chorus, Murder in the Cathedral, T.S. Eliot, Youth Theatre, Adelaide Teachers’ College

1967                  

Stage design for The Nutcracker, S.A. National Ballet Company, Glenelg Town Hall

1966                  

Director, Yorketown Players, Bell, Book and Candle, Van Druten, Yorketown Town Hall

1965                  

Director, Yorketown Players, inaugural production, All in a Year’s Work,  a program of poems and one act plays, Yorketown Town Hall

1965                  

Founder and Director, Yorketown Players, Yorketown, S.A.

1965-1966      

Classroom teacher art and drama, Education Department of S.A. based in Yorketown, S.A.

1964                  

Ensemble cast member, John Brown’s Body, Western Teacher’s College Drama Club

1963                  

Chorus member, Show Boat, by Jerome Kern, The Society of Theatrical Arts, Adelaide Town Hall

 

Bibliography: Published Works

2024                  

Honeywill, G. ‘The Journey to Create the Exhibition Lost in Palm Springs’, commissioned essay, Untitled, published by

Art Gallery of Ballarat Association, Winter 2024, pp 14-17

2023                  

Honeywill, G. ‘Lost in Palm Springs’, published by Melbourne Books, 28 February 2023. Hardcover, 256 pages,

more than 100 photographs

2017                

Honeywill, G. ‘Louiseann King, arbor temporis momentum,’ commissioned essay, Bendigo Art Gallery, published

on-line and in the gallery

2014
               

Honeywill, G. ‘This housing estate is not to scale #2’ (2011), cover image, WOOD art design architecture, Touring Exhibition

Report, Jam Factory

2014                 

Honeywill, G. ‘This housing estate is not to scale #2’ (2011), invitation image, WOOD art design architecture, KickArts

Contemporary, Cairns

2013                 

Honeywill, G. ‘This housing estate is not to scale #2’ (2011), cover image, Jam Factory, Program, February-June 2013

2013
             

Honeywill, G. ‘Greer Honeywill’, catalogue essay, WOOD art design architecture, national touring exhibition 2013/2014, pp 110-11

2013                 

Honeywill, G. ‘The Music In Between – Cath Robinson’, commissioned essay Tasmanian Life, Summer, 2013, pp 36-37

2013                  

Honeywill, G. ‘The Secret Cello Maker’, commissioned essay, Tasmanian Life, Spring 2013, pp 28-31

2013                  

Honeywill, G. ‘Artist Profile – Marcus Tatton’, commissioned essay, Tasmanian Life, Winter 2013, pp 36-38

2013                  

Honeywill, G. ‘Ten Days on the Island’, commissioned essay, Australian Art Review, issue 38, pp 20-22

2013

Honeywill, G. ‘Tasmanian Museum and Art Gallery’, commissioned essay, Australian Art Review, issue 37, pp 44-47

2012
               

Honeywill, G. ‘IN-Grained: works in wood (exposed and disguised) 2003-2012’, commissioned essay, Australian Art Review,

issue 36, pp 50-53, cover page and index pp 10-11

2011                  

Honeywill, G. Home as Museum – The New Temples of Art, commissioned essay, Island Magazine, Issue 125, pp 82- 88

2011                  

Honeywill, G. Still Life Pudding, commissioned essay, Island Magazine, issue 127, pp 56-63

2009                 

Honeywill, G. Architecture of the Heart #3, invitation image, Prometheus Foundation, Visual Arts Awards

2008                  

Honeywill, G. Vertical Transmission published image in Carr Design Group, yearbook

2008                  

Honeywill, G. Emotional Stillness – The Art of Rex Turnbull, commissioned essay, Koru Contemporary Art, Hong Kong

2007                  

Honeywill, G. Embroidered House, image selected for Arts Victoria Christmas card

2007                  

Honeywill, G. ‘Euan Heng’, commissioned essay, in Sonia Payes, Untiled: Portraits of Australian Artists, Macmillan Art Publishing, p 164, 166

2007                  

Honeywill, G. ‘Robert Rooney’, commissioned essay, in Sonia Payes, Untiled: Portraits of Australian Artists, Macmillan Art Publishing, p 290

2007

Honeywill, G. ‘Greer Honeywill, Against the Grain’, commissioned short essay, Textile Fibre Forum, Issue 3, no. 87, p 24

2006

Honeywill, G. ‘Shared Narratives: Remembering and Forgetting in Academic Research’, chapter selected by scholarly peer review,

Art-Based research: a proper thesis? edited by Elaine Martin and Judith Booth, chapter, Common Ground, p 97-110

2006                  

Honeywill, G. ‘Patterns of Desire’, Lino, issue 14, pp 98-101

2005                  

Honeywill, G. ‘Scarring the Land’, Ground Cover, catalogue essay, Bendigo Art Gallery

2003                 

Honeywill, G. Anthology of Sadness and Memento Mori published in support of the article, ‘Art and the pursuit of excellence’,

The Australian, 9 July, pp-

2001                  

Honeywill, G. ‘Table Eight on the Floor, the work of Flossie Peitsch,’ commissioned essay, Setting the American Table,

Copia –The American Center for Wine Food and the Arts, California, USA, pp 78-83

2001                  

Honeywill, G. ‘Stories from the Kitchen: Heavenly Tart,’ commissioned essay, Copia, Vol. 04, Issue 01, California, USA, pp 18-21

2000                  

Honeywill, G. ‘Table Eight on the Floor’, essay (Australian version) International Tapestry Journal, Vol. 3, no.  2 pp. 25, 26 and

Textile Fibre Forum, Vol. 19, Issue 4, no. 60, pp. 24, 25

1997                  

Honeywill, G. ‘Contempora5 – new prize, new art!’, commissioned short essay, The View, Issue 7, pp 32-35

1997                  

Honeywill, G. ‘Combing the World,’ commissioned short essay, The View, Issue 6, p 36

1995                  

Honeywill, G. ‘Seasonal Changes’, the work of Lynette Zeeng, commissioned short essay, Professional Photography in Australia, p 41-42

1995                  

Honeywill, G. ‘The Great Australian Dream’, commissioned short essay, The View, Issue 2, pp 18-21

1984-86           

Honeywill, G. Design Writer, SAM Magazine, Adelaide, editor J. Walton

1978

Honeywill, G. ‘Come Out Pageant 1977,’ commissioned essay, Communicating Arts

1975                  

Honeywill, G. Asia: A resource book for Australian schools, contributor

 

Bibliography: Catalogues

2023                

Lost in Palm Springs (exhibition catalogue) jointly produced by HOTA (Home of the Arts) and Museums & Gallery Queensland.

‘Foreword’ Tracy Cooper-Lavery, ‘Curatorial Perspective’ and contents, curator, Dr Greer Honeywill, 44 pages

2015              

Peter Timms, The Indecisive Moment, ‘Greer Honeywill: The Ever Present Eye’, (exhibition catalogue), Plimsoll Gallery,

Tasmanian College of the Arts

2013-2014     

WOOD art design architecture, Jam Factory/Botanic Gardens of Adelaide, national travelling exhibition curators

Brian Parkes and Elliat Rich

2013               

Construction, Incinerator Gallery, Melbourne, curator Richard Ennis

2013                

Investigations, Plimsoll Gallery, Tasmanian College of the Arts

2012                

Peta Heffernan, ‘Exploring Private and Public Space’, Greer Honeywill: IN-Grained: works in wood (exposed and disguised) 2003-20012,

Carnegie Gallery, Hobart

2012               

Peter Poulet, ‘Home to House to Place’, Greer Honeywill: IN-Grained: works in wood (exposed and disguised) 2003-20012, Carnegie Gallery, Hobart

2012                

Bryony Nainby, ‘Disturbing the Familiar’, Greer Honeywill: Veiled, The Gallery @ Bayside Arts & Cultural Centre, Melbourne

2011

Hobart Art Prize, Tasmania

2010                

Secrets (and lies) Assoc. Prof. Euan Heng and Greer Honeywill in conversation about the making of the work, Secrets (and lies),

Flinders Lane Gallery Melbourne

2010                  

Sunshine Coast Art Prize, Caloundra, Queensland

2009                 

Lorne Sculpture Exhibition 09, Lorne, Victoria

2009                  

Hutchins Art Prize, works on Paper, Hobart, Tasmania

2009                  

Geelong Acquisitive Print Awards, Geelong Gallery

2009                  

Sunshine Coast Art Prize, Caloundra Regional Gallery, Queensland

2009                  

DLAP, City of Darebin and La Trobe University Acquisitive Art Prize

2009                  

The Prometheus Visual Art Award, Merrimac, Queensland

2009                  

Kit Wise, Greer Honeywill: Everyday Utopia, catalogue essay, Off the plan, Flinders Lane Gallery

2008                  

Tracey Avery, ‘Greer Honeywill’, Here and Now, Flinders Lane Gallery

2008                  

Montalto Sculpture Prize, Montalto

2007                  

Simon Gregg, ‘Artefact, A Melbourne Keepsake’, Artefact, catalogue essay

2007                 

Kelly Gellatly, Against the Grain, catalogue essay

2006                  

Alex Gawronski, Contemporary Art and Social Justice; How Soon is Now? ‘New Social Commentaries 06’, catalogue essay

2006                  

Dr Louiseann Zahra-King, Into A Mirror Darkly, three RMIT Galleries, catalogue essay

2006                  

Kit Wise, ‘Proclaiming Space’, Patterns of Desire, Span Galleries, catalogue essay

2005                  

Leanne Fitzgibbon, Ground Cover, catalogue introduction, Bendigo Art Gallery

2002                  

Dr Robert Nelson, 2002 Central Goldfields Sculpture Prize and Exhibition, catalogue essay

 

Bibliography: Selected Articles/Reviews

2015                  

Tim Martain, ‘Eye of the Beholder’, Tasweekend, The Mercury, February 21-22, p 19

2015                  

Tim Martain, ‘Please Explain! Billboard in Hobart CBD’, Tasweekend, The Mercury, February 14-15, p 5

2014                 

Phil Brown, ‘Grain of Truth’, Canvas, The Courier Mail, Brisbane, p 75

2013
               

Damian Madigan, ‘WOOD art design architecture’, Houses, issue 92, p 105

2013                 

Mary Machen, ‘Wooden wonders in material world’, The Examiner, Launceston, 13 July, n/p

2012
               

Andrew Harper, ‘Beautiful Lines and Melancholy Buildings’, (review) Warp Magazine, Arts, August, p 30

2012                 

Author unknown, ‘Memories IN-Grained’, An Eye on Innovation, Monument magazine, issue 109, p 22

2012                 

Clyde Selby, Gallery Watch, ‘Wood works part of the furniture’, (review), The Mercury Saturday Magazine, 28 July p 23

2012                 

‘Scene’, Urbis, (NZ) issue 68, pp 24-25

2012                 

Amanda Ducker, ‘Subliminal’, The Mercury, Last Word, 13 July, p 44

2012                 

Tim Martain, Where the Heart Is, ‘The Art of the Matter’, The Mercury Saturday Magazine,4 August, pp 17-19

2012                 

Festival of Voices, Festival Program, p 42

2012                 

Ross Honeywill, ‘Festival of Voices’, What’s On, Tasmanian Life, Vol. 7 No. 3, pp 138-141

2012                 

Esther Anatolitis, ‘Greer Honeywill, Veiled, the sense of home’, (review) Houses, issue 85, pp 96, 97

2012                 

Robert Nelson, ‘Occupy movement lingers over impersonal exteriors and personal interiors’, (review) The Age, The Arts,

15 February, p.1– Artichoke, ‘Scope’, issue 37, p 22

2012                 

Alice Blackwood, Editor, DQ, ‘News’, p 15

2012                 

Anne-Maree Sargeant, Editor, ‘Right Now Art’, Belle, February/March, p 56

2010                

Penny Webb, ‘Greer Honeywill’, Box Office/Galleries, The Age (Melbourne) Magazine, issue #72, p 104

2010                 

Clyde Selby, ‘Secrets (and lies)’, Saturday Magazine, The Mercury, (Tas.) August 21, p 23

2010                 

‘Kidding around’, Dumbo Feather, pass it on, issue 24, Autumn, p 99

2010                 

Dylan Rainforth, ‘Visual Art’, The Arts, The Age, June 9, p 15

2010                 

Eliza Hope, ‘Beauty Within’, Home, Herald Sun, February 6, pp 26-28

2009                  

Dawn Felstead, ‘Woodend artist exhibits’, Macedon Ranges Guardian, September 25, p 4

2009                  

Josie Gagliano, ‘White Lodge’, Home Beautiful, June, pp 22-29

2009                  

Frances Johnson, ‘Clubby Cubbies’, Sightlines Galleries, The Age, 24 April, p 19

2009                  

Simon Gregg, Greer Honeywill: Off the Plan, unpublished review

2009                  

Brook Turner, ‘Estate jewellery’, Life and Leisure Luxury magazine, Australian Financial Review, issue 7, p 5

2009                  

Carole Shepheard, ‘Greer Honeywill’, Artist Profile, issue 6, February, pp 46-48

2008                 

‘Exhibition’, The Examiner, Northern Tasmania, 11 April, p 14

2008                 

‘Home is where the art is’, Unitas, April, issue number 318, p 8

2008                 

Harbant Gill, ‘Wired for Sculpture’, Herald Sun, Entertainment, 13 February, pp 52-53

2008                 

Simon Gregg, ‘Reviews’, <the space in between> book project, Artlink, Vol 28, #1, p 97

2008                 

Profiles, ‘Montalto Sculpture Prize Exhibition’, Art Almanac, March, p 191

2008                  

Megan Backhouse, ‘Prized moments’, The Age, Mixed Media, 20 February, p 18

2007                  

Inga Walton, Artefact: A Melbourne Keepsake, ‘Craft Culture’, Craft Victoria online, 18 December

2007                  

Andrew Stephens, ‘Debunking the domestic goddess’, The Age, 8 September, p 19

2007                  

Tracey Avery, ‘Against the Grain’, Artichoke, Issue 20, pp 64-67

2007                  

Stephen Crafti, ‘Tales of the Everyday’, indesign, Vol. 30, p 68

2007                  

Adriana Tarascio-Agosta,’Against the Grain Works in Wood 2000-2007 by Greer Honeywill’, DATTA Vic Newsletter,

Vol. 20, Issue 3, p 3

2007                  

Kate Rhodes, ‘The Art of the Dwelling Space’, Lino, Issue No 18, pp 66-71

2007                  

Linda Nathan, ‘Against the Grain’, Australian Wood Review, Issue 55, pp 76-77

2007                  

Kathy Kernohan, ‘Wooden sprawl of Australiana’, Melbourne’s City Weekly, #21, 31 May, p 29

2007                  

Andrew Stephens, ‘Singing in the Grain’, The Age, 19 May, pp 17-18

2007                  

‘Box Office’, The Age (Melbourne) magazine, Issue #31, p 89

2007                  

‘May Salon’, Embroidered House, Trouble, pp 32-33

2007                  

‘Radar Headlines’, Architecture Australia, Vol. 96, no. 2, p 22

2007                  

‘News Diary’, Artichoke issue 18, (March) p. 38 ‘Exhibitions 2 Watch’, Artlink, Vol. 27, no. 1, p 14

2007

Simon Gregg, ‘Melburnin December 2006’, Trouble, pp 18-19

2006                  

Megan Backhouse, ‘Art Galleries’, The Age, 9 September, p 17

2006                  

Megan Backhouse, ‘Art Galleries’, The Age, 14-15 April, p 19

2005                  

Leanne Fitzgibbon, ‘Artists Cover New Ground’, The Advertiser, 21 April, p 22

2003                  

‘Another Award – Cheese graters make great art’, Telegraph, Tuesday 4 November, p 10

2003                  

Megan Backhouse, ‘Honeywill Skewers Yering prize’, The Age, 15 October, p 8

2003                  

‘Visual feast with sculpture-scape’, Lilydale Yarra Valley Leader, 29 September, p 8

2002                  

Naomi Cass, ‘Yet another new sculpture prize,’ Art Monthly, March edition, p 43

1995                  

Alison Barclay, ‘Where the heart is’, Herald Sun, 24 July, p 53

1995                  

Michael Harden, ‘Dreams are just castles in the clouds’, The Melbourne Times, 12 July, pp 1, 27

1995                  

Jason Steger, ‘Putting the great Australian dream in the picture,‘ review, The Sunday Age, 16 July, p 7

1979                  

David Dolan, ‘Masterpiece for children’, The Advertiser, review, (The Arts Circus, ‘Come Out’), p –

1976                  

Helen Covernton, ‘A touch of black comedy,’ The Advertiser, review, ’Jumpers’, p –

1974                  

Helen Armitage, ‘Rivals’ fresh as a daisy’, The News, review, ‘The Rivals’, p –

1974                  

Justin O’Halloran, ‘Eureka Stockade’ University of Adelaide magazine, review, p –

1974                  

John Healey, ‘A Bonanza,’ The Advertiser, review, p –

1974                  

Helen Armitage, ‘Eureka’ one up for theatre arts on the Fringe,The News, review, p –

 

Radio, TV, On-line

2012
               

Fiona Breen, 7.30 Tasmania, ABC TV, ‘IN-Grained: works in wood (exposed and disguised) 2003-2012, interview with

Greer Honeywill and VOCO, Friday 13 July, 3.43 min

2012                  

Louise Saunders, Drive Program, radio 936 ABC Hobart, ‘IN-Grained: works in wood (exposed and disguised) 2003-2012’,

interview with Greer Honeywill and Peta Heffernan, 13 July 4.30pm, 10 min

2012                

Breakfast with Michael Veitch, interview with Greer Honeywill, ‘Secrets (and lies)’, 936 ABC Radio Hobart, 10 August

2010                 

Lee Tran, Inside Out – homelife, blog, ‘Off the plan’ and interview, AUS, 11 August

2009                  

Emma Kirsopp,‘Off the plan’, The Melbourne Art Review, on-line review, 12 April

2009                 

Holly D. Gomez (intern architect), aplaceimagined, ‘Embroidered House’, ‘Off the plan’, USA, 3 August

2008                 

Rebekah Drysdale, DailyServing, ‘Greer Honeywill’, blog, USA, 7 October

2008                  

Camilla Engman, greerhoneywill, blog, Sweden, 9 June

2008                  

Bill Kratz, Shedworking, ‘Embroidered House’, blog, UK, 30 March

2008                  

Andree-Anne Dupuis-Bourret, le territoire des sens, ‘Embroidered House’, ‘Anthology of Sadness, ‘Consumer Music’,

Canada, French, blog, 31 March

2007                  

Melanie Byres, producer, ‘Greer Honeywill’, Sunday Arts, ABC TV Arts, 15 April, 3 minutes

1995                  

Jeremy Thompson, ‘The Great Australian Dream’, Today Tonight, HSV7, Melbourne, 1 August

1995                  

Jim Whaley, ‘The Great Australian Dream’, Sunday, GTV 9, Sydney, 30 July

1995                  

Gillespie Productions. ‘The Great Australian Dream’, House Hunt, HSV 7, Melbourne, 29 July

1995                  

Anna Gregory, ‘The Great Australian Dream’, Today, GTV 9, Sydney, 18 July

1995                  

‘The Great Australian Dream’, News segment, GTV9, Melbourne, 18 July

1995                  

‘The Great Australian Dream’, News segment ABC TV, Melbourne, 18 July