Greer Honeywill
Born: South Australia, currently lives and works in Naarm, Melbourne.
Based in Hobart, Nipaluna, Tasmania, 2010-2016 before returning to Melbourne.
Education
2015 PhD, Art, The Ever Present Eye, Tasmanian College of the Arts
2003 PhD, Fine Art, Monash University. Awarded Mollie Holman Doctoral Medal
1998-1999 Part-time MFA (Art) Monash University (upgraded to PhD)
1999 Fred Cress Master Class, Central School of Art, Adelaide (research project)
1997 New York Studio School Drawing Marathon, Central School of Art, Adelaide
1975 Certificate in Elementary Film Studies, Australian Film and Television School
1967 Post Graduate studies in Drama, Adelaide Teachers College (now UniSA)
1964 Dip. T. Art, S.A. School of Art and Western Teachers College (now UniSA)
Current Curatorial and Writing Project, Lost in Palm Springs, 2017-2026
2026
Lost in Palm Springs Ipswich Art Gallery, Qld 13 February-19 April and Bundaberg Regional Art
Gallery, QLD 1 May-July
2025
Lost in Palm Springs Devonport Regional Gallery, TAS 10 February-20 March, Riddoch Arts & Cultural Centre,
SA 4 April-29 June, New England Regional Art Museum, NSW 10 July-28 September, and Noosa Regional Gallery,
QLD 18 October-7 December
2024
Lost in Palm Springs Griffith Regional Gallery, 8 March-21 April, Art Gallery of Ballarat 4 May-1
September, Signal Point Gallery, SA 24 September-1 December
2023-2024
Lost in Palm Springs Manly Art Gallery & Museum, 8 December 2023-25 February 2024, part of Sydney Festival 2024
2023
Lost in Palm Springs Perc Tucker Regional Gallery Townsville, 18 August-24 September.
2023
Lost in Palm Springs launched at HOTA (Home of the Arts) Gold Coast, 11 March. Curator,
Dr Greer Honeywill. A national touring exhibition, developed by HOTA in partnership with Museums & Galleries
Queensland
2023
Lost in Palm Springs, the book, published 2023, by Melbourne Books, author, Dr Greer Honeywill.
Book launched at HOTA, 11 March 2023
2022
Proposal for Lost in Palm Springs, the book, accepted for publication by Melbourne Books
2020
Proposal for Lost in Palm Springs, a five-state touring exhibition, accepted by Museums & Galleries Queensland.
2017-2019
Three annual, self-funded research/residencies in Palm Springs, California, to support the creation of the touring
exhibition and book, Lost in Palm Springs, a multidisciplinary project bringing together artists from America and
Australia who explore the intersections between art, architecture, design and life
Recent Professional Experience
2024
The Art Deco and Modernism Society of Australia, Lost in Palm Springs presentation, 11 July
2024
Sorrento Writers Festival, ‘How mid-century architecture changed domestic life’, a panel
discussion with Fiona Austin, Patricia Callan, and Greer Honeywill, moderated by Fiona Gruber
2023-2026
The Curator’s Perspective presented at each gallery on the Lost in Palm Springs exhibition tour
2023
Lost in Palm Springs book events:
Bookstore by Uro, author in conversation with Stuart Harrison, architect, lecturer, and broadcaster,
May 27. Part of Melbourne Book Fair 2023
Fullers Bookstore, Hobart, author in conversation with architect Peta Heffernan, Director Liminal Studios, April 27
‘Design Matters’, Boyd House, Walsh Street, author in conversation with architect and TV presenter
(Dr) Peter Maddison, March 22
Readings, author in conversation with Associate Dean and Chair of Architecture and Design,
Melbourne University and Director of LAB Architecture Studio, Professor Donald Bates, March 15
Awards, Prizes and Residencies
2017-2019
Three annual self-funded research residencies in Palm Springs, C.A.
2011
Awarded Tasmanian Graduate Research Scholarship
2011
Awarded Arts Tasmania Grant, Assistance to Individuals
2011
Awarded survey exhibition, Carnegie Gallery, Hobart
2009
Commended Artist, Sunshine Coast Art Prize
2008
Inaugural artist in residence, Carr Design Group, Melbourne
2008
Winner Mitchell Family Award, Montalto Sculpture Prize
2006
Awarded Arts Victoria Grant, Arts Development
2005
Invited artist, Post Office Installations Series, Castlemaine State Festival
2003
Winner, World Sculpture News Prize
2003
Winner, Yering Station Sculpture Prize
2002
Awarded Doctoral Completion Scholarship, Monash University
2002
Winner, Coates and Wood Foundry Prize
2000
Winner, Allport Writing Award, Textile Fibre Forum
Solo Exhibitions
2015
The Ever Present Eye, Plimsoll Gallery, Tasmanian College of the Arts
2012
IN-Grained: works in wood (exposed and disguised) 2003-2012, Carnegie Gallery, Hobart, curated by Peta Heffernan
2012
Veiled, The Gallery @ Bayside Arts & Cultural Centre, Brighton Victoria
2010
Secrets and Lies, Flinders Lane Gallery, Melbourne
2009
Off the plan, Flinders Lane Gallery, Melbourne
2007
Against the Grain: works in wood 2000-2007, Craft Victoria, curator Kate Rhodes
2006
she had many offers of marriage #2, School of Art Gallery, RMIT, curator, Dr Louiseann King
2006
Patterns of Desire, Span Galleries, Melbourne
2005
she had many offers of marriage #1, The Castlemaine State Festival, Post Office Installation series
2003
Colours of the Kitchen Cabinet, Faculty Gallery, Monash University
2002
Heavenly Tart, Spare Room, RMIT, curator, Louiseann Zahra
2000
Urban Songs, Lobby Gallery, Sofitel Hotel, Melbourne
Selected Group and Collaborative Exhibitions
2024
ARTitecture, Justin Art House Museum, works from the collection
2015
Model Urban, Manningham Art Gallery, curator Davey Warnock
2014
WOOD art design architecture, travelling exhibition, curators Brian Parkes and Elliat Rich
Lake Macquarie City Art Gallery, QUT Art Museum, KickArts Cairns, Object Gallery, Sydney
2013
Construction, Incinerator Gallery, Melbourne, curator Richard Ennis
2013
Investigations, Plimsoll Gallery, Tasmanian College of the Arts, curators Annie Geard and Julien Scheffer
2013
WOOD art design architecture, travelling exhibition, curators Brian Parkes and Elliat Rich
Jam Factory/Botanic Gardens of Adelaide, Riddoch Regional Gallery (Mt Gambier), Design Centre Tasmania,
Launceston, and Bathurst Regional Gallery
2012
The Research Life of Arts Objects, Entrepot Gallery, Tasmanian College of the Arts, Hobart, curator Paul Zika
2011
Finalist, Geelong Acquisitive Print Award
2011
Finalist, City of Hobart Art Prize
2010-2011
Finalist, Tidal: City of Devonport Art Award
2010
Finalist Sunshine Coast Art Prize
2010
Playing Field, Craft Cubed Festival, Craft Victoria, curator, Joe Pascoe
2010
Vision, Glen Eira City Council Gallery, curator Diane Soumilas
2010
The View From Here, Flinders Lane Gallery, Melbourne
2009
Finalist Lorne Sculpture Exhibition
2009
Finalist Hutchins Art Prize, Tasmania
2009
Finalist, inaugural Deacon University Small Sculpture Award
2009
Finalist Geelong Acquisitive Print Awards
2009
Finalist Yering Station Sculpture Prize
2009
<the space in between> book project, Wagga Wagga Art Gallery, curator Tara Gilbee
2009
20 plus: the sum of us, Flinders Lane Gallery, Melbourne
2009
Finalist DLAP the City of Darebin and La Trobe University Art Prize
2009
Finalist Sunshine Coast Art Prize
2009
Finalist Prometheus Visual Arts Award
2009
Treasures, Flinders Lane Gallery, Melbourne
2008
Here and Now, Flinders Lane Gallery, Melbourne
2008
Surface Tension, Flinders Lane Gallery, Melbourne
2008
<the space in between> book project, Bendigo Art Gallery, Latrobe Regional Gallery, and Umbrella Studio
Contemporary Arts (Townsville), curator, Tara Gilbee
2008
The Green Zone, Academy Gallery, University of Tasmania, curator Malcom Bywaters
2008
The Perfumed Garden, Flinders Lane Gallery, curator Phe Rawnsley
2008
Finalist Montalto Sculpture Prize
2007
Treasures, Flinders Lane Gallery, Melbourne
2007
For Every Bird, [MARS] Melbourne Art Rooms
2007
Don’t call me a Domestic Goddess, [MARS] Melbourne Art Rooms
2007-2008
Artefact, City Museum at Old Treasury, Melbourne, curator Simon Gregg
2007
<the space in between> book project, Margaret Lawrence Gallery, VCA, curator Tara Gilbee
2006
The Velvet of Uncertainty, Greer Honeywill (AUS) Carole Shepheard (NZ), Spare Room, RMIT, curator Dr Louiseann King
2006
12 by 12, [MARS] Melbourne Art Rooms
2006
Finalist, New Social Commentary 06, Warrnambool Art Gallery
2006
Finalist, Yering Station Sculpture Prize
2005
Greer Honeywill and Megan Campbell: Ground Cover, Bendigo Art Gallery, curator Leanne Fitzgibbon
2004
Narrative Voices, 45 downstairs, curator Tyra Hutchens
2004
Finalist, John Leslie Art Prize, Gippsland Art Gallery
2003
Greer Honeywill and Megan Campbell: Kitchen Sacraments, Ararat Art Gallery
2003
Finalist, Yering Station Sculpture Prize
2003
Finalist, Fundere Sculpture Prize, Yarra Sculpture Gallery
2002
Finalist, Fundere Sculpture Prize, Yarra Sculpture Gallery
2002
Undercurrent, idSpace contemporary art gallery, Melbourne, curator Asim Memishi
2002
Finalist, Central Goldfields Sculpture Prize and Exhibition, Central Goldfields Art Gallery
2001-2002
Monash University, Survey Show, Arts Victoria, curator Malcom Bywaters
2001
Powder – the controlled space, Faculty Gallery, Monash University, curator Malcom Bywaters
1998
Australian in New York, Gelabert Studios, New York, curator Simmone Jameson
1997
Australian in Paris, Miromesnil Fine Art, Paris, curator Simmone Jameson
1995
The Great Australian Dream, Gallery 101, Melbourne, Greer Honeywill, Lynette Zeeng and Rodney Lowe,
curator Greer Honeywill
Collections
HOTA (Home of the Arts Gold Coast), Art Gallery Ballarat, Melbourne Convention Centre, JAM (Justin Art House Museum),
National Library of Australia (Canberra), State Library of Queensland, MONA Library, BHP Billiton, UniSA, and private
collections in USA, Canada, New Zealand and Australia.
Professional Experience and Commissioned Works 1963-2019
2019
Opening speech for the exhibition A Recollection of Symmetry, by Heinz Boeck, Yarra Sculpture Gallery
2019
Invited speaker, Perspectives on Contemporary Sculpture, Museums & Galleries Queensland, UQ Art Museum, Brisbane
2018
Writing Workshop, The Art of Story, Arnold Zable, The Ian Potter Museum of Art, University of Melbourne
2017
Commissioned essay and opening speech for the exhibition arbor temporis momentum by Dr Louiseann King at Bendigo Art Gallery
2015
Initial visit to Palm Springs, California, to research the potential for a large ongoing project
2015
Speaker, AAANZ conference Image Space Body, QAGOMA, Brisbane, November
2010
Invited contributor to the Love and Movement submission, Woodhead, shortlisted for the 2010 Venice Biennale of Architecture.
2005-2019
Examiner PhD, MFA and Honours candidates Monash University, Victoria University, LaTrobe University, and Federation University
2004
Presenter, Victoria University Symposium, ‘I, We, They, It: Finding Voice in Creative Research’
The presentation became a peer-reviewed chapter in the book Art-Based Research: A Proper Thesis? (2006)
edited by Elaine Martin and Judith Booth, Common Ground, p. 97-110
2000-present
Full-time studio practice, researcher, writer, curator and occasional speaker
2000
Commissioned by Major Projects, Melbourne, to research and develop a model for an artist-made object gallery for Federation Square
2000
Commissioned by Major Projects, Melbourne, to research and develop a public art project communicating Federation Square
to the public during the building phase
1997
Commissioned by the City of Whitehorse to develop a model for a cluster of community-based festivals
1996-1998
Commissioned by the City of Sydney to design the creative pathway for the New Millennium NYE celebrations after the event returned
to the City of Sydney
1996-1997
Contempora5 art prize, consultant to the National Gallery of Victoria
1995
The Super Model, short film, creative director/writer, commissioned by Photomation Events
1995
The Jam Factory, short video, creative director, commissioned by Photomation Events
1995
Product Pursuit, video game show, creative director/script/executive producer, commissioned by Photomation Events
1995
Eastlands 101.1 TTFM Simulblast, creative director/executive producer, commissioned by Photomation Events
1994
Winterfire Festival, artistic director, commissioned by Southgate, Melbourne
1994-2000
Freelance Creative Director (The Event Company, Photomation Events and Caribiner)
1991-1994
Senior Consultant/Creative Director, Burson-Marsteller, Melbourne office of multinational public relations and communications firm
1990
Relocated to Melbourne and established formal studio practice
1986
Creator/Director, Opening and Closing Events, Sixth World Three Day Event Championships: Sydney to Adelaide Horse-to-Horse Relay,
Street Parade, Adelaide, and Elder Park Event, commissioned by Sixth World Three Day Event Championships Organising Committee
as part of the Sesquicentenary celebrations for South Australia
1985
Commissioned by the Adelaide Festival Theatre to design uniforms for front of house and box office staff
1985
Mural for I.T.B. Berlin, Concepts/Creative Director, commissioned by Tourism Authorities of South Australia and the Northern Territory
1985
Exhibition for Badminton, UK, Concepts/Executive Director, commissioned by Tourism South Australia,
1983-1990
Co-founder and Creative Director of marketing/advertising/graphic design consultancy, Honeywill Reid, Adelaide
1981
Creator/Director, ‘The 1855 Event’, the streets of Adelaide and Elder Park, commissioned by the Come Out Youth Festival,
Adelaide (7,000 participants)
1979
Director of Photography/Producer, Biennale of Sydney, commissioned by the Australia Council/Art Gallery of NSW, through the
Educational Technology Centre, Adelaide
1979
Creator/Director, ‘Soft Sculpture’, Little Theatre, University of Adelaide and the streets of Adelaide, commissioned by the
Come Out Youth Festival (1,070 participants)
1979
Concept/Direction, Paint a Tram, Victoria Square, Adelaide, commissioned by the Come Out Youth Festival (24 participants)
1979
Creator/Director, ‘Perambulation Games’, Memorial Drive Centre Courts and the streets of Adelaide, commissioned by the
Come Out Youth Festival; televised nationally by the ABC (799 participants)
1979
Creator/Director, ‘The Arts Circus’, Elder Park, Adelaide, commissioned by the Come Out Youth Festival (1,000 participants)
1979
Founding member Australian Association of Dance in Education (SA)
1978
Set and costume design, The Littlest Circus, touring production, commissioned by the Australian Dance Theatre School
1978
Project Manager, Cut out and Stick Up, devised by artist, Tony Bishop and commissioned by the Adelaide Festival
1978
Director of photography/Producer, Art in the Making, commissioned by the Art Gallery of NSW through the
Educational Technology Centre, Adelaide. Creation of support resource for the travelling exhibition, Art in the Making, 1979-1980.
1977
Creator/Director, Come Out 77 Pageant, streets of Adelaide and Memorial Drive Centre Courts, commissioned by the
Come Out Youth Festival, televised nationally by the ABC (2,000 participants)
1977
Project Manager/Facilitator, of event directed by visiting international conceptual artist Antoni Miralda (b. 1942, Spain), staged
at Tatachilla, S.A. to coincide with the national community arts conference, Compost. Commissioned by the Adelaide Festival
1976
Creator/Director, Super Scrabble, amphitheatre Adelaide Festival Centre, commissioned by the Adelaide Festival (72 participants)
1976
Set and costume design, Jumpers, Tom Stoppard, commissioned by the University of Adelaide Theatre Guild, for the
Adelaide Festival Fringe, Union Hall
1976
Set design and costume coordination, Hamlet on Ice, Michael Boddy and Ron Blair, Playhouse, Adelaide Festival Centre, commissioned
by Adelaide Festival Centre Trust
1976
Set design, Jesters, Michael Cove, Sheridan Theatre, commissioned by Adelaide Theatre Group
1976
Member International Society for Education Through the Arts, I.N.S.E.A. World Congress Planning Committee
1976-1978
Member of the Board, Australian Dance Theatre School
1975
Commissioned collaboration with composer Malcolm Fox to bring the finale of the Human Chess Tournament
(part of Come Out Youth Festival) from the outside amphitheatre into the theatre to create Cheque-Mate, a music/theatre
piece supported by The Adelaide New Music Players. This single performance played to a capacity audience at the
Space Theatre, Adelaide Festival Centre
1975
Creator/Director, Human Chess Tournament, performance event for 360 players, staged over five days in the amphitheatre,
Adelaide Festival Centre, commissioned by Come Out Youth Festival. The first non-music event to be held in the amphitheatre
1975 – 1977
Member, Outdoor Activities Committee, Adelaide Festival
1975
Director of Photography/Producer, Modern Masters: Manet to Matisse, coverage of the international touring exhibition,
National Gallery of Victoria, commissioned by the Education Department of S.A./Educational Technology Centre
1975
Set design, Parrot Pie, touring production, commissioned by New Opera, S.A.
1974
Played Countess Geschwitz in Lulu, adapted by Peter Barnes from Wedekind’s Earth Spirit and Pandoras’ Box,University of
Adelaide Theatre Guild, Union Hall
1974
Costume coordination and design, The Rivals, Richard Brinsley Sheridan, commissioned by the University of Adelaide
Theatre Guild, Union Hall, University of Adelaide
1974
Set and costume design, Eureka Stockade, Kenneth Cook, commissioned by the University of Adelaide Theatre Guild,
for the Adelaide Festival Fringe, Union Hall
1974-1981
Member, founding committee, Come Out Youth Festival
1974-1981
Moved from the classroom to accept the position of Arts Educator with state-wide responsibilities, Education Department of S.A.
Based at the Educational Technology Centre
1972-1974
NWS 9, commissioned presenter/writer, Curiosity Show, a national children’s television program
1972
Played Laura in Laura, Vera Caspary and George Sklar, The Group, AMP Theatre, Adelaide
1971
Played Corrie Bratter in Barefoot in the Park, Neil Simon, The Group, AMP Theatre, Adelaide
1971
Played Janet Spicer in Wolfe’s Clothing, Kenneth Horne, The Group, AMP Theatre, Adelaide
1970
Played Nancy Rimmington in Chase Me Comrade, Ray Cooney, The Group, AMP Theatre, Adelaide
1969
Played Cecily Pigeon in The Odd Couple, Neil Simon, The Group, AMP Theatre, Adelaide.
1968-1973
Head of Departments of Art and Drama, secondary high schools, Education Department of S.A.
1968
Played June Copley in Life with the Girls, John Woolridge, The Group, AMP Theatre, Adelaide
1967
Played Lucy Gilham in Ladies in Retirement, Edward Percy and Reginald Denham, new theatre company,
The Group, AMP Theatre, Adelaide
1967
Member of the chorus, Murder in the Cathedral, T.S. Eliot, Youth Theatre, Adelaide Teachers’ College
1967
Stage design for The Nutcracker, S.A. National Ballet Company, Glenelg Town Hall
1966
Director, Yorketown Players, Bell, Book and Candle, Van Druten, Yorketown Town Hall
1965
Director, Yorketown Players, inaugural production, All in a Year’s Work, a program of poems and one act plays, Yorketown Town Hall
1965
Founder and Director, Yorketown Players, Yorketown, S.A.
1965-1966
Classroom teacher art and drama, Education Department of S.A. based in Yorketown, S.A.
1964
Ensemble cast member, John Brown’s Body, Western Teacher’s College Drama Club
1963
Chorus member, Show Boat, by Jerome Kern, The Society of Theatrical Arts, Adelaide Town Hall
Bibliography: Published Works
2024
Honeywill, G. ‘The Journey to Create the Exhibition Lost in Palm Springs’, commissioned essay, Untitled, published by
Art Gallery of Ballarat Association, Winter 2024, pp 14-17
2023
Honeywill, G. ‘Lost in Palm Springs’, published by Melbourne Books, 28 February 2023. Hardcover, 256 pages,
more than 100 photographs
2017
Honeywill, G. ‘Louiseann King, arbor temporis momentum,’ commissioned essay, Bendigo Art Gallery, published
on-line and in the gallery
2014
Honeywill, G. ‘This housing estate is not to scale #2’ (2011), cover image, WOOD art design architecture, Touring Exhibition
Report, Jam Factory
2014
Honeywill, G. ‘This housing estate is not to scale #2’ (2011), invitation image, WOOD art design architecture, KickArts
Contemporary, Cairns
2013
Honeywill, G. ‘This housing estate is not to scale #2’ (2011), cover image, Jam Factory, Program, February-June 2013
2013
Honeywill, G. ‘Greer Honeywill’, catalogue essay, WOOD art design architecture, national touring exhibition 2013/2014, pp 110-11
2013
Honeywill, G. ‘The Music In Between – Cath Robinson’, commissioned essay Tasmanian Life, Summer, 2013, pp 36-37
2013
Honeywill, G. ‘The Secret Cello Maker’, commissioned essay, Tasmanian Life, Spring 2013, pp 28-31
2013
Honeywill, G. ‘Artist Profile – Marcus Tatton’, commissioned essay, Tasmanian Life, Winter 2013, pp 36-38
2013
Honeywill, G. ‘Ten Days on the Island’, commissioned essay, Australian Art Review, issue 38, pp 20-22
2013
Honeywill, G. ‘Tasmanian Museum and Art Gallery’, commissioned essay, Australian Art Review, issue 37, pp 44-47
2012
Honeywill, G. ‘IN-Grained: works in wood (exposed and disguised) 2003-2012’, commissioned essay, Australian Art Review,
issue 36, pp 50-53, cover page and index pp 10-11
2011
Honeywill, G. Home as Museum – The New Temples of Art, commissioned essay, Island Magazine, Issue 125, pp 82- 88
2011
Honeywill, G. Still Life Pudding, commissioned essay, Island Magazine, issue 127, pp 56-63
2009
Honeywill, G. Architecture of the Heart #3, invitation image, Prometheus Foundation, Visual Arts Awards
2008
Honeywill, G. Vertical Transmission published image in Carr Design Group, yearbook
2008
Honeywill, G. Emotional Stillness – The Art of Rex Turnbull, commissioned essay, Koru Contemporary Art, Hong Kong
2007
Honeywill, G. Embroidered House, image selected for Arts Victoria Christmas card
2007
Honeywill, G. ‘Euan Heng’, commissioned essay, in Sonia Payes, Untiled: Portraits of Australian Artists, Macmillan Art Publishing, p 164, 166
2007
Honeywill, G. ‘Robert Rooney’, commissioned essay, in Sonia Payes, Untiled: Portraits of Australian Artists, Macmillan Art Publishing, p 290
2007
Honeywill, G. ‘Greer Honeywill, Against the Grain’, commissioned short essay, Textile Fibre Forum, Issue 3, no. 87, p 24
2006
Honeywill, G. ‘Shared Narratives: Remembering and Forgetting in Academic Research’, chapter selected by scholarly peer review,
Art-Based research: a proper thesis? edited by Elaine Martin and Judith Booth, Common Ground, p 97-110
2006
Honeywill, G. ‘Patterns of Desire’, Lino, issue 14, pp 98-101
2005
Honeywill, G. ‘Scarring the Land’, Ground Cover, catalogue essay, Bendigo Art Gallery
2003
Honeywill, G. Anthology of Sadness and Memento Mori published in support of the article, ‘Art and the pursuit of excellence’,
The Australian, 9 July, pp-
2001
Honeywill, G. ‘Table Eight on the Floor, the work of Flossie Peitsch,’ commissioned essay, Setting the American Table,
Copia –The American Center for Wine Food and the Arts, California, USA, pp 78-83
2001
Honeywill, G. ‘Stories from the Kitchen: Heavenly Tart,’ commissioned essay, Copia, Vol. 04, Issue 01, California, USA, pp 18-21
2000
Honeywill, G. ‘Table Eight on the Floor’, essay (Australian version) International Tapestry Journal, Vol. 3, no. 2, pp. 25, 26 and
Textile Fibre Forum, Vol. 19, Issue 4, no. 60, pp. 24, 25
1997
Honeywill, G. ‘Contempora5 – new prize, new art!’, commissioned short essay, The View, Issue 7, pp 32-35
1997
Honeywill, G. ‘Combing the World,’ commissioned short essay, The View, Issue 6, p 36
1995
Honeywill, G. ‘Seasonal Changes’, the work of Lynette Zeeng, commissioned short essay, Professional Photography in Australia, pp 41-42
1995
Honeywill, G. ‘The Great Australian Dream’, commissioned short essay, The View, Issue 2, pp 18-21
1984-86
Honeywill, G. Design Writer, SAM Magazine, Adelaide, editor J. Walton
1978
Honeywill, G. ‘Come Out Pageant 1977,’ commissioned essay, Communicating Arts
1975
Honeywill, G. Asia: A resource book for Australian schools, contributor
Bibliography: Catalogues
2023
Lost in Palm Springs (exhibition catalogue) jointly produced by HOTA (Home of the Arts) and Museums & Gallery Queensland.
‘Foreword’ Tracy Cooper-Lavery, ‘Curatorial Perspective’ and contents, curator, Dr Greer Honeywill, 44 pages
2015
Peter Timms, The Indecisive Moment, ‘Greer Honeywill: The Ever Present Eye’, (exhibition catalogue), Plimsoll Gallery,
Tasmanian College of the Arts
2013-2014
WOOD art design architecture, Jam Factory/Botanic Gardens of Adelaide, national travelling exhibition curators
Brian Parkes and Elliat Rich
2013
Construction, Incinerator Gallery, Melbourne, curator Richard Ennis
2013
Investigations, Plimsoll Gallery, Tasmanian College of the Arts
2012
Peta Heffernan, ‘Exploring Private and Public Space’, Greer Honeywill: IN-Grained: works in wood (exposed and disguised) 2003-20012,
Carnegie Gallery, Hobart
2012
Peter Poulet, ‘Home to House to Place’, Greer Honeywill: IN-Grained: works in wood (exposed and disguised) 2003-20012, Carnegie Gallery, Hobart
2012
Bryony Nainby, ‘Disturbing the Familiar’, Greer Honeywill: Veiled, The Gallery @ Bayside Arts & Cultural Centre, Melbourne
2011
Hobart Art Prize, Tasmania
2010
Secrets (and lies) Assoc. Prof. Euan Heng and Greer Honeywill in conversation about the making of the work, Secrets (and lies),
Flinders Lane Gallery Melbourne
2010
Sunshine Coast Art Prize, Caloundra, Queensland
2009
Lorne Sculpture Exhibition 09, Lorne, Victoria
2009
Hutchins Art Prize, works on Paper, Hobart, Tasmania
2009
Geelong Acquisitive Print Awards, Geelong Gallery
2009
Sunshine Coast Art Prize, Caloundra Regional Gallery, Queensland
2009
DLAP, City of Darebin and La Trobe University Acquisitive Art Prize
2009
The Prometheus Visual Art Award, Merrimac, Queensland
2009
Kit Wise, Greer Honeywill: Everyday Utopia, catalogue essay, Off the plan, Flinders Lane Gallery
2008
Tracey Avery, ‘Greer Honeywill’, Here and Now, Flinders Lane Gallery
2008
Montalto Sculpture Prize, Montalto
2007
Simon Gregg, ‘Artefact, A Melbourne Keepsake’, Artefact, catalogue essay
2007
Kelly Gellatly, Against the Grain, catalogue essay
2006
Alex Gawronski, Contemporary Art and Social Justice; How Soon is Now? ‘New Social Commentaries 06’, catalogue essay
2006
Dr Louiseann Zahra-King, Into A Mirror Darkly, three RMIT Galleries, catalogue essay
2006
Kit Wise, ‘Proclaiming Space’, Patterns of Desire, Span Galleries, catalogue essay
2005
Leanne Fitzgibbon, Ground Cover, catalogue introduction, Bendigo Art Gallery
2002
Dr Robert Nelson, 2002 Central Goldfields Sculpture Prize and Exhibition, catalogue essay
Bibliography: Selected Articles/Reviews
2015
Tim Martain, ‘Eye of the Beholder’, Tasweekend, The Mercury, February 21-22, p 19
2015
Tim Martain, ‘Please Explain! Billboard in Hobart CBD’, Tasweekend, The Mercury, February 14-15, p 5
2014
Phil Brown, ‘Grain of Truth’, Canvas, The Courier Mail, Brisbane, p 75
2013
Damian Madigan, ‘WOOD art design architecture’, Houses, issue 92, p 105
2013
Mary Machen, ‘Wooden wonders in material world’, The Examiner, Launceston, 13 July, n/p
2012
Andrew Harper, ‘Beautiful Lines and Melancholy Buildings’, (review) Warp Magazine, Arts, August, p 30
2012
Author unknown, ‘Memories IN-Grained’, An Eye on Innovation, Monument magazine, issue 109, p 22
2012
Clyde Selby, Gallery Watch, ‘Wood works part of the furniture’, (review), The Mercury Saturday Magazine, 28 July p 23
2012
‘Scene’, Urbis, (NZ) issue 68, pp 24-25
2012
Amanda Ducker, ‘Subliminal’, The Mercury, Last Word, 13 July, p 44
2012
Tim Martain, Where the Heart Is, ‘The Art of the Matter’, The Mercury Saturday Magazine, 4 August, pp 17-19
2012
Festival of Voices, Festival Program, p 42
2012
Ross Honeywill, ‘Festival of Voices’, What’s On, Tasmanian Life, Vol. 7 No. 3, pp 138-141
2012
Esther Anatolitis, ‘Greer Honeywill, Veiled, the sense of home’, (review) Houses, issue 85, pp 96-97
2012
Robert Nelson, ‘Occupy movement lingers over impersonal exteriors and personal interiors’, (review) The Age, The Arts,
15 February, p.15
2012
Alice Blackwood, Editor, DQ, ‘News’, p 15
2012
Anne-Maree Sargeant, Editor, ‘Right Now Art’, Belle, February/March, p 56
2010
Penny Webb, ‘Greer Honeywill’, Box Office/Galleries, The Age (Melbourne) Magazine, issue #72, p 104
2010
Clyde Selby, ‘Secrets (and lies)’, Saturday Magazine, The Mercury, (Tas.) August 21, p 23
2010
‘Kidding around’, Dumbo Feather, pass it on, issue 24, Autumn, p 99
2010
Dylan Rainforth, ‘Visual Art’, The Arts, The Age, June 9, p 15
2010
Eliza Hope, ‘Beauty Within’, Home, Herald Sun, February 6, pp 26-28
2009
Dawn Felstead, ‘Woodend artist exhibits’, Macedon Ranges Guardian, September 25, p 4
2009
Josie Gagliano, ‘White Lodge’, Home Beautiful, June, pp 22-29
2009
Frances Johnson, ‘Clubby Cubbies’, Sightlines Galleries, The Age, 24 April, p 19
2009
Simon Gregg, Greer Honeywill: Off the Plan, unpublished review
2009
Brook Turner, ‘Estate jewellery’, Life and Leisure Luxury magazine, Australian Financial Review, issue 7, p 5
2009
Carole Shepheard, ‘Greer Honeywill’, Artist Profile, issue 6, February, pp 46-48
2008
‘Exhibition’, The Examiner, Northern Tasmania, 11 April, p 14
2008
‘Home is where the art is’, Unitas, April, issue number 318, p 8
2008
Harbant Gill, ‘Wired for Sculpture’, Herald Sun, Entertainment, 13 February, pp 52-53
2008
Simon Gregg, ‘Reviews’, <the space in between> book project, Artlink, Vol 28, #1, p 97
2008
Profiles, ‘Montalto Sculpture Prize Exhibition’, Art Almanac, March, p 191
2008
Megan Backhouse, ‘Prized moments’, The Age, Mixed Media, 20 February, p 18
2007
Inga Walton, Artefact: A Melbourne Keepsake, ‘Craft Culture’, Craft Victoria online, 18 December
2007
Andrew Stephens, ‘Debunking the domestic goddess’, The Age, 8 September, p 19
2007
Tracey Avery, ‘Against the Grain’, Artichoke, Issue 20, pp 64-67
2007
Stephen Crafti, ‘Tales of the Everyday’, indesign, Vol. 30, p 68
2007
Adriana Tarascio-Agosta, ‘Against the Grain Works in Wood 2000-2007 by Greer Honeywill’, DATTA Vic Newsletter,
Vol. 20, Issue 3, p 3
2007
Kate Rhodes, ‘The Art of the Dwelling Space’, Lino, Issue No 18, pp 66-71
2007
Linda Nathan, ‘Against the Grain’, Australian Wood Review, Issue 55, pp 76-77
2007
Kathy Kernohan, ‘Wooden sprawl of Australiana’, Melbourne’s City Weekly, #21, 31 May, p 29
2007
Andrew Stephens, ‘Singing in the Grain’, The Age, 19 May, pp 17-18
2007
‘Box Office’, The Age (Melbourne) magazine, Issue #31, p 89
2007
‘May Salon’, Embroidered House, Trouble, pp 32-33
2007
‘Radar Headlines’, Architecture Australia, Vol. 96, no. 2, p 22
2007
‘News Diary’, Artichoke issue 18, (March) p 38 ‘Exhibitions 2 Watch’, Artlink, Vol. 27, no. 1, p 14
2007
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2007
Simon Gregg, ‘Melburnin December 2006’, Trouble, pp 18-19
2006
Megan Backhouse, ‘Art Galleries’, The Age, 9 September, p 17
2006
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2005
Leanne Fitzgibbon, ‘Artists Cover New Ground’, The Advertiser, 21 April, p 22
2003
‘Another Award – Cheese graters make great art’, Telegraph, Tuesday 4 November, p 10
2003
Megan Backhouse, ‘Honeywill Skewers Yering prize’, The Age, 15 October, p 8
2003
‘Visual feast with sculpture-scape’, Lilydale Yarra Valley Leader, 29 September, p 8
2002
Naomi Cass, ‘Yet another new sculpture prize,’ Art Monthly, March edition, p 43
1995
Alison Barclay, ‘Where the heart is’, Herald Sun, 24 July, p 53
1995
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1995
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1979
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Radio, TV, On-line
2012
Fiona Breen, 7.30 Tasmania, ABC TV, ‘IN-Grained: works in wood (exposed and disguised) 2003-2012, interview with
Greer Honeywill and VOCO, Friday 13 July, 3.43 min
2012
Louise Saunders, Drive Program, radio 936 ABC Hobart, ‘IN-Grained: works in wood (exposed and disguised) 2003-2012’,
interview with Greer Honeywill and Peta Heffernan, 13 July 4.30pm, 10 min
2012
Breakfast with Michael Veitch, interview with Greer Honeywill, ‘Secrets (and lies)’, 936 ABC Radio Hobart, 10 August
2010
Lee Tran, Inside Out – homelife, blog, ‘Off the plan’ and interview, AUS, 11 August
2009
Emma Kirsopp,‘Off the plan’, The Melbourne Art Review, on-line review, 12 April
2009
Holly D. Gomez (intern architect), aplaceimagined, ‘Embroidered House’, ‘Off the plan’, USA, 3 August
2008
Rebekah Drysdale, DailyServing, ‘Greer Honeywill’, blog, USA, 7 October
2008
Camilla Engman, greerhoneywill, blog, Sweden, 9 June
2008
Bill Kratz, Shedworking, ‘Embroidered House’, blog, UK, 30 March
2008
Andree-Anne Dupuis-Bourret, le territoire des sens, ‘Embroidered House’, ‘Anthology of Sadness’, ‘Consumer Music’,
Canada, French, blog, 31 March
2007
Melanie Byres, producer, ‘Greer Honeywill’, Sunday Arts, ABC TV Arts, 15 April, 3 minutes
1995
Jeremy Thompson, ‘The Great Australian Dream’, Today Tonight, HSV7, Melbourne, 1 August
1995
Jim Whaley, ‘The Great Australian Dream’, Sunday, GTV 9, Sydney, 30 July
1995
Gillespie Productions. ‘The Great Australian Dream’, House Hunt, HSV 7, Melbourne, 29 July
1995
Anna Gregory, ‘The Great Australian Dream’, Today, GTV 9, Sydney, 18 July
1995
‘The Great Australian Dream’, News segment, GTV9, Melbourne, 18 July
1995
‘The Great Australian Dream’, News segment ABC TV, Melbourne, 18 July